Why a Doll’s House by Henrik Ibsen is more relevant than ever the play’s director Carrie Cracknell

In the Guardian’s article, Why a Doll’s House by Henrik Ibsen is more relevant than ever the play’s director Carrie Cracknell speaks to why she thinks it has ‘enduring popularity’. She specifically mentions universal anxieties that the play addresses. What are these universal anxieties and do you agree with her that these anxieties are truly universal? Why/why not? What others might you add to the list?
As always, to be considered for full credit, please remember to answer the question, incorporate at least one quote from the article

Why a Doll’s House by Henrik Ibsen is more relevant than ever the play’s director Carrie Cracknell

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